和祠部王员外雪后早朝即事

唐代 岑参

岑参的《和祠部王员外雪后早朝即事》以其生动的意象和精炼的语言, capturing the serene yet majestic atmosphere of a snow-covered morning court. The poem excels in its depiction of winter scenes, blending natural beauty with the solemnity of official duties, making it a standout piece in Tang dynasty poetry for its vivid imagery and emotional depth.

《和祠部王员外雪后早朝即事》全文

雪霁长安道,朝回白玉墀。
寒光映剑佩,瑞色满宫闱。
群臣趋丹陛,天子正垂衣。
共贺丰年兆,琼瑶覆帝畿。

译文及注释

严谨的现代汉语翻译: 雪后长安的道路上,积雪初晴,官员们早朝归来,走在白玉台阶前。寒冷的阳光映照着佩剑和饰物,祥瑞的色彩充满了宫廷。群臣快步走向红色的台阶,天子正端坐理政。大家一起庆贺丰收年的预兆,如同美玉覆盖了皇帝的都城。

幽默诙谐的版本: 嘿,雪停了,长安街白茫茫一片,大伙儿下朝溜达回宫,踩在亮晶晶的白玉台阶上,冷飕飕的阳光把宝剑和配饰照得闪瞎眼,宫里全是吉祥的 snow vibes。官员们屁颠屁颠地跑上红台阶,皇帝老大正坐着摆 pose,大家一起嗨皮,觉得这雪是老天爷送来的大礼包,盖得京城像铺了一层钻石!

注释: 雪霁:雪后放晴;长安道:指唐代都城长安的道路;白玉墀:白玉台阶,象征宫廷的华贵;寒光:指雪后寒冷的阳光;剑佩:官员的佩剑和饰物;瑞色:吉祥的色彩;丹陛:红色的台阶,代指宫廷;垂衣:指天子理政;丰年兆:丰收年的预兆;琼瑶:美玉,比喻白雪;帝畿:皇帝的都城。

创作背景

这首诗创作于唐代中期,岑参作为边塞诗人, often engaged in official duties and court life. It was likely written during his time in Chang'an, responding to a poem by Wang Yuanwai, a fellow official in the Ministry of Rites. The work reflects the post-snow atmosphere of the early morning court, highlighting the harmony between nature and imperial governance, and was inspired by the seasonal changes and the poet's observations of courtly rituals.

全文赏析

《和祠部王员外雪后早朝即事》通过精炼的语言和丰富的意象,描绘了雪后早朝的壮观场景。诗的开头“雪霁长安道”以雪晴起笔,营造出清新宁静的氛围,而“朝回白玉墀”则 transition to the official setting, emphasizing the blend of natural beauty and human activity. The middle lines “寒光映剑佩,瑞色满宫闱” use visual contrasts to enhance the majestic and auspicious tone, while “群臣趋丹陛,天子正垂衣” depicts the orderly court proceedings, symbolizing imperial stability. The conclusion “共贺丰年兆,琼瑶覆帝畿” elevates the poem to a celebration of prosperity, using snow as a metaphor for blessings. Overall, the work showcases Cen Shen's mastery of imagery and his ability to capture the essence of Tang dynasty court life with emotional resonance and philosophical depth.

岑参

一、文坛概览:西域画卷的挥毫者

岑参,盛唐边塞诗派的巨擘,以其雄奇瑰丽的笔触,将西域的苍茫、战争的壮烈、将士的豪情与思乡的哀愁,熔铸成震撼人心的诗篇。他突破了传统山水田园的藩篱,将诗笔伸向广袤的边疆,以探险家的视野、军旅亲历者的感受和天才诗人的想象,为唐诗开辟了气象万千的新境界。其诗风奇峭峻拔,想象超绝,情感炽烈奔放,是盛唐气象在边陲绝域最为璀璨夺目的投射之一。

►441篇诗文

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